Thursday, October 17, 2013

Mall Food

Last night I never did get around to writing, thanks to a wicked panic attack caused by my esophagus...which is still out to get me for some reason. I'm having my revenge by eating mall food--fried rice & some kind of blackened, glazed chicken--for lunch. Take that, homicidal esophagus!

In addition to an iffy lunch, I spent the morning in the arboretum. It was just chilly enough for the shade to be sharp against my skin. There were two points that let me stand as a still point in the morning, beneath a sycamore tree whose leaves are burning slowly in the fall and in front of the bird feeder, the one that looks like a framed and roofed doll cabin. Sycamores are one of my favorite trees. It is their bark which I adore, white and silver in the spring, then tan, moss, grey, and wheat later in the season. A book of line drawings and ink washes could be illustrated in those colors and the drawings would be as expressive as the reader's dreams staining the text.

Bird feeders are different. Standing nearby, still as I can be with a camera balanced in my hands, I am trying to make myself invisible to the eyes of a dozen wary birds. In this case, an adult cardinal, adult blue jay, juvenile blue jays, chickadees, and the ubiquitous anonymous brown birds. What better metaphor for the wariness of a writer trying to remain unseen by the inner editors, the imagined embarrassments, the characters themselves while recording them than an amateur photographer watching young blue jays bounce in circles on the edge of the feeder roof, waiting for that one moment when the sun catches the nascent blue in the grey feathers? My camera isn't quite up to certain colors and I think most of my images are washed out, but the best part was just standing there as one or two birds swooped by or tried to find a way in past the other birds, balancing and bouncing as if they were tenuously present on their feet.

As this day moves through me, I hope those are the images that catch. The drive and the stress can disappear out the round blue of the window at the edge of the food court.

Wednesday, October 16, 2013

Write...write...write

Today I am stuck on the silence side of language and silence. Langauge & Silence is the book that I'm half reading, half griping over instead of working through my stack of October reading (or writing). While this isn't a book to validate spending time on a genre novel (it is a book to induce guilt over being monolingual), it isn't the only brick in Wall o' Writer's Block...the vast majority of those are high-pitched, whiny barks courtesy of a fratchetty Merlin. The architecture of thought is there, only to be repeatedly dynamited by Merlin reminding me he is bored, unappreciated, and hungry.

Varda, on the other hand, is practicing her black & white starlet poses on the couch. She's taken to draping her neck over the arm or over the back of the couch. Quietly.

I have been avoiding this draft until the doubts have fully infested my headspace. So, instead of reminding myself how much I enjoy reading a good story, I'm reminding myself of why writing is potentially unethical, reinforcing the glare without focusing the light, as it were. I am seeking out excuses. I am an expert at this.

So...no reading this evening. Writing instead.

Sunday, October 13, 2013

Stray Books

Our Muppet dog is on antibiotics this week, which means both dogs get food twice a day, a mix of wet and dry, because Muppet dog needs to be encouraged to eat in case the pill upsets his stomach and because I always fail my escape-feeling-guilty saving throw versus the otter daughter's reproachful expressions. The otter daughter only gets pumpkin purée mixed with her food, as she is on a diet.

The diet came about because we almost never walk in this neighborhood of nameless neighbors, stray dogs, and reckless cars. We sit on the couch together; I read, the otter daughter slides along the surface of the blankets, twists belly-up, and snoozes. She dreams of running and kicks my hip. I dream of walks I used to take and rub her tummy until the kicking stops. All of this folderol requires a certain kind of book, reminiscent or adventurous, slim, easy to move from the page to your thoughts and back again. Poetry works well.

Last week, the perfect book came unexpectedly into my hands while I was visiting the library. Am I the only who checks out books because I feel guilty for glancing at them, prejudging them, and putting them back on the shelf? This is what I did with Kathi Appelt's My Father's Summers. In this book, Ms. Appelt limns her memories of her childhood in Houston before and after her parent's divorce in brief paragraph poem chapters. These chapters are illustrated by family photos and the book feels like a fascinating photo album you might have found tucked away in someone's closet. A behind-the-scenes extra for the sunny family picture that made the official family album. None of which I knew when I pulled it off metal shelf, glanced at the blurb, thought "depressing!" In that judgy mental singsong, and shoved it back on the shelf.

I moved on. But...Houston! Memoir of a contemporary in a city you've found fascinating ever since your mother declared it was horrible and that she hated it and then sent you to college there! And how many people end up down on the floor, skimming that lower shelf? I glanced back and felt the first hopeful wag of its imaginary tail. It was coming home with me and it would be the first thing I read, curled up on the couch with the otter daughter wedged against my hip. Then, the specificity and brevity of each chapter, the whisking from scene to scene, began to build a momentum that slipped me from page to page, each vignette slipping like a film across the surface of my own memories.

It's not that we shared childhood experiences per se, but the author's voice encouraged a dialogue of memory--it amazes me how memoirists manage the impression of remembering in flashes of narrative that are organized but feel like thought, drained of the chaos but retaining its character.

Just writing this post I can feel the difficulty of that.

Thursday, October 10, 2013

Deenie and Delaine, or An Unexpected Cardinal

Ahead of this week's cool front, flocks of hummingbirds have been darting around the arboretum. I have been chasing a good photo of them, practicing a patient, aimless lurk beside the bushes they seem to favor. I now have a collection of photos of invisible hummingbird wakes, dark hummingbird shapes giving me the cold shoulder, and blurry commotions near Turks' caps and sage blossoms--and memories of cartoon sound effects as they zipped by my shoulders.

It was to see if any hummingbirds lingered after this first, minor cool front that I was once again lurking by the sage bushes yesterday. I slipped around a curve in the path to find a crimson cardinal hanging on to a thin stem of sage, just a few inches above the mulch. It saw me, dove upward through the lilac and white sage flowers, and was gone. The colors...that velvet red, the delicate purple tint, and the spotlight-bright white...were a perfect clash that threw each into relief, a flash of upcoming holidays--joy as lightning across your memory.

And I, immediately trying to bleed the awe from my experience, decided to make fun of it, to turn it into the symbol for a chick lit fable. Quilts, Christmas, and Delaine on her porch thinking about her grandmother Deenie...maybe a brief snapshot in honor of the real photo that I missed.

Deenie and Delaine, however, moved right into my brain and have decided to stay and chat. They think Nano sounds interesting...a novel in a month? Won't that be fun! Let me tell you...

Now it looks like my November novel draft will be less bees and lizards and Sunflower Queens and more grandmothers and legacies. Maybe it's a good time for that. I'll save the bees for next summer.

Sunday, September 15, 2013

Favorite Word

Following a challenge in one of my ever-present writing guides, today I'm introducing you to my favorite word, grey. You probably already know the word and may be already correcting my spelling. The variable spelling is, in fact, why "grey" is a favorite.

Needing an essay description for a shading? For the color creeping inexorably from your scalp? "Gray" is your word. Need a word that rings with major-key practicality? "Gray" is your descriptor. Need a way to drag blue into your shadows? That "a" does it (for me, anyway).

On the other hand, if there is a conjugation needed to make those shadows firm enough to step into, to draw up the lichen-green bark into a dryad's girdle, "grey" is the spell(ing). Grey is the Lorien cloak beneath which I slip into the fantastic. It is the neutral border between two bright fields, the fog beyond the fields we know. It is the minor key modulation that opens the threshold to the haunting.

A favorite word functioning as a talisman to keep me fixed on the difference between obscurity and clarity, between familiar and alien, between what is revealed and what is concealed, "grey/gray" is a good symbol of the shifting that lives in fantasy.

What's your favorite word?

Monday, September 9, 2013

Sanctuary

I am asleep; I am waking up in a narrow, high-ceilinged hotel room. The dream is luring me from the facsimile of sleep with music. I get up and cross to a desk, navigating a screen of music to a new Stevie Nicks song and then the room itself wakes up and the music is lost as the giant tv clicks on. I violate the taped instructions for the wall of TV and click the power button. Everything turns off.

A door opens and I am invited next door, to another narrow room. This one has a small grove of potted ficus trees full of chickadees. A woman is talking and I know she is older than I remember her, although I don't recognize her. She is talking about her hawk. She has taken him to a sanctuary and is explaining that he had given each of her friends nicknames and has begun to call for her. She is going to pick him up from his sanctuary, bring him back to the grove of ficus trees. One of the chickadees begins to call, his white cap standing up like a kingfisher's crown.

I wake for real with the entrance of my dogs into the dream and into the room. It occurs to me that today would be a good day to find my way back to something. The lingering effects of vacation are dislocation.

Sunday, September 1, 2013

Sock Puppets and Sulfur

Varda, our retriever mix (retriever blend? Demi-golden? Full-blood couch hound?) is on a diet. The vet suggested cutting her dog food with veggies, such as raw carrots or canned green beans. As long-time readers might know, whatever canine genetics spell out V-a-r-d-a, behaviorally, she is a reincarnated Lady Who Lunches. Bell peppers, tomatoes, stringy grass, mushrooms...she eats all of these, when she can get them. Chopped carrots mixed with protein croutons a la Iams? This is a perfect lunch for one at chez Bowl. Although, it doesn't remove the joy of scouting and inhaling white backyard mushrooms for an aperitif.

Chopping carrots one morning last week, I realized that I am lacking whatever disposition associates cooking with anything other than a chore, although chopping carrots while nattering on as if your are the star of Dogs on Diets for one of the cooking channels is hardly a chore. It is silliness you can actually consume (as long as you snag a carrot prior to the introduction of the dog food).

This is the kind of cooking that I enjoy, the kind my dad perfected in which a skillet, random ingredients, and a fat (usually butter) rendered weird but often edible food. Like the buttered tortillas served by friend's mom, this was something that was either a remembrance (my mom made this once upon a time) or a creative challenge (will you eat this before I tell you exactly what it is? Will you eat it if it comes from a plastic tub of chicken organs?). To this day, I prefer making dishes in our big silver skillet...and I still pretty much think onions and tortillas are primary food groups.

The Pumpkin King, on the other hand, comes from a completely different familial tradition. His is based on his mother's (excellent) cooking and involves starting from scratch and involving the entire kitchen, and possibly the entire family, in each meal. If there are five steps to the dish and twelve pots, so be it. Not only will he work through each one, but he will attempt to clean as he goes. Except for the giant pans, which somehow are left soaking for the singing mice that do our dishes.

When we were first married, I assumed that I'd grow into that twelve-pot tradition. I did not. In experimenting with it, however, I used to check out cookbooks from our local library, including some old Time Life ones detailing recipes from various cultural traditions. Our favorite (to eat) were the stroganoff and linzer cookie recipes from the Russian volume. Since this was during our mobile phase when we switched apartments often, those recipes have long since been lost.

Today, though, we found a new flavor of treat for the dogs...not, perhaps the perfect diet treat, but something that inspired me to reach for the silly/creative cook and the formal recipe cook--these treats look like little linzer cookies for dogs flavored with apple and bacon. Apple jelly and bacon linzer cookies? Sign me up! They might turn out inedible...but they might be good. Or edible. Or a great joke when family visits.

The question is cookies with bacon bits with jelly centers? Sweet cookies with apple jelly centers spiked with maple bacon? Sweet cookies with a swirl of bacon jam and apple jelly in the center? Can I find a recipe before my Dad visits?

If so, they'll have to come wrapped with the sock puppet story about a dad and daughter who have to seal up a dimensional portal with sulfur-rich caramelized onion steam, which is about as silly a concoction as my mental skillet can serve up. Part one of the new draft should be my next post!

Have a yummy Labor Day & don't forget to season with a bit of silliness!