I am going to eat it.
Everything sparkles around the edges of my vision and yet the golden bug
floating just beyond Minerva’s shoulder gleams as if each scale on its wing is
lit separately by a thousand suns. It looks delicious.
I hold still. There is
eternity and there is this pose. Minerva has the profundity of a goddess, exact
in herself, exact in her consideration of the point the artist has given her,
beyond the butterfly, beyond this second, through the portrait itself. She has an
icon’s immobility, holding a pose for the painter standing on a scaffold. The
butterfly has come into the impossible second Minerva has derived for the painter,
too deep or wide for Chronus and his stuttering insistence on wax rounds,
ticks, atomic decay. Everything is chopped fine in his salad universe.
Minerva has promised this
painter immortality for a painting and she has granted it—this second in which
time does not move, although the painter breathes and mixes his paints and
slides that brush across the canvas. And now a gilded butterfly has come into
eternity, which she is welcome to spend in my belly.
Can I allow a butterfly to
shine brighter than Minerva? Wisdom overshadowed by gold? I cannot.
Oh I love this C! You have captured the picture perfectly in your story. Thought provoking and mysterious!
ReplyDeleteI love your descriptive writing. Was this an exercise for you or is part of your novel?
ReplyDeleteBeautiful, beautiful! Your writing is like a dream.
ReplyDelete